FEMONUMENTAL TRANSFORMANCES IN RURAL PUBLIC SPACE
FEMonumental Transformance is a transmedia performance art method to transform patriarchal monuments into feminist monumental practices. It takes place in the rural area of Vorarlberg (AT) focusing on the monuments placed there.
Kulisic & Tudman (2009) argue that monuments communicate thought, symbolism and hierarchies of a society. In a patriarchal society, these representations manifest and recreate patriarchal domination among other forms of domination, not only in public space, but also in society and in the incorporated mental structures of people (Rose 1993, Lerner 1986). The project experiments with ways to transform patriarchal monuments into feminist monumental practices using performative explorations, experimental movie making and overpainting of performance photographs. The aim here is to detect patriarchal structures and construct publicly alternative, intersectional queer feminist (hooks, Grosz, Ahmed) forms of commemoration and worshipping in their place. Part of the project is also the creation of the FEMonumental Guide, a toolkit in the form of a set of methods, which can be used by other artists to transform monuments in different socio-political contexts.
SPECIAL THANKS
Thanks to Nina Lyne Gangl for photographing and filming my performances, to my dear PPS peers and my friends for the try-outs and feedback to my Guide, to my coach Danae Theodoridou and the PPS team Heleen de Hoon, David Limaverde, Ulla Havenga and Xenia Tsompanidou. Special Thanks to my partner Matthias and to my family for their never-ending support.